An Ode To Stuff

Greetings once more,

It's Saturday morning, the sun is shining, and being the utterly miserable sod that I am, I'm in my office, sheltered from its annoying rays. Been thinking a lot about the actual act of writing recently, how one day, you can save your current WIP, and you think, 'you know what, there's some good shit there'. You even have a look back and allow yourself a chuckle at a witty exchange or wince from a particularly nasty death. Then you get the days when getting the words down is like pulling teeth. The laptop closes and you are filled with, 'why am I even bothering to do this?'

It's important to have support, in whatever form that takes, it is different for everyone. Up until recently, I thought it was one thing, when it is actually something else entirely. My wife Debbie HATES horror, can't stand it in the slightest, makes her squeamish, and it is just not her bag. Yet, throughout my writing, she's always asking when she can read the current project I'm working on.

Sure, some bits she skims over, one chapter in Class Three (fifteen if you're interested), she will not re-read at all, as she says it's too much for her, but she reads it. She is the first person to read through the third/fourth draft, when I'm happy that it's ready for consumption. There is a point to all of this (honest)...I read Stephen King's 'On Writing' recently, and he said that you write for someone else. Up until then, I assumed it was me. It's not, like Stevo writing for his missus, I realised that I was writing for Debbie.

With writing, once it is out in the world, the only feedback you get are reviews or comments on social media, but when Debbie is reading through my latest brain dribblings next to me, I hear her laugh, so can ask what she found funny. I see her squirm when she gets to the sick bits, and I see her puzzled face when she gets to something I haven't explained very well.

She is who I write for, and I think that is pretty damn cool.

So, what am I up to? Well, the first draft of Deadlock is done and currently sitting where I left it on the hard drive. I think I've done what I did with Hexagram, in that I started it off all serious, and then remembered that serious isn't my thing. The first few edits will restore order to that, plus...late last night, Stephen Cooney sent me the cover. Wanna see? Here it is...

Pretty cool huh? Well, I think so anyway. It's a bit odd to have a cover ready for a book which won't be out until October, but hey. More on that in the coming months. With the first draft finally done, the plan was to have a few days off, finish The Division, then hit up some short stories. But try as I might, I just couldn't get into any of them. Then I had a flash of inspiration. There was a story about Rachel Riley from Countdown accidentally spelling out a swear word, then some wit on Facebook, posted this:

This got me thinking...what if a world-ending beast was summoned from some hellish plain accidentally. 'Summoned' was born. It's a working title, so likely to change, but another thing happened. Instead of trying to write it one way, I wrote it MY way. So far at least, the words are flowing from me like arterial spray, I'm loving it. It is also going to be a 'multi-narrative' book, I'd love to say it is a 'choose your own adventure' book, but it's not that deep, but there will be choices to make and different endings. Above all, it's going to be silly, like me. Plus...I'm hoping I've snagged the artist for it.

Prime Directive has had the Debbie treatment, and some further refinements. Re-reading it, I've found that there is a section, a couple of chapters, quite key ones, where I'm just not feeling it. My plan is to re-write them in a few weeks, so it'll be ready way before release at the end of May. I've always had a nagging doubt that something was missing from it, now, I hope I've identified it, and know how I'm going to fix it.

So we go full circle, back to what I said first off. The idea for Summoned, and even Deadlock came to me, and I liken it to a cloud. It lacks form, after chatting with Debbie, she made a suggestion for each, which made it go from being vague, to WOW, that will work. I'll go into more detail on these books in due course, along with Hexagram, which I cannot wait to share with you.

I'm just gonna leave you with this, sometimes shit happens, and you're wondering what the hell you are going to do. When all the things you thought were there, actually aren't. Take a moment to ponder, most of the time, when you look past all the other bullshit, you'll find that there is a constant standing in the swirling dust, and always has been. That is your support, that is the reason for spending your free time tapping words onto a screen, hoping to fuck that it will all make sense.

I'm off, got a couple of endings to write involving a giant apocalyptic beast, with seven arse cheeks, till next time.

Dunk

An Interview With...Rich Hawkins

Why hello!

Super to see you, though of course, I can't really see you, but if I were you, I'd do something about your hair, it's a bit...Einstein-esque today. Well it's Saturday, and it's time for the second interview over on this here blog. Today's guest currently resides in my hometown of Salisbury, has a majestic beard, was nominated for a BFS award last year and (annoyingly) is a bloody nice chap. It is of course, the man, the myth, the LEGEND: Rich Hawkins.
 

I, like most people, first heard of Rich through his acclaimed 'The Last Plague', and have snagged his other books to date, including the novella, 'Black Star, Black Sun'.

The conclusion to his 'The Last...' trilogy drops TODAY, so thought it an opportune time to probe him, intellectually of course, whilst The Last Soldier downloads on your kindle, because you have just bought it, haven't you? As before, my interview consists of two sections, equal part sensible and silly, just like me.
 
Good, so, without further ado, let's begin...

DB: I thought my cheese supplies were running dangerously low, pray tell, who the Dickens are you?

RH: I hail from the depths of Somerset, where my childhood of science fiction and horror films inspired me to start writing my own stories. I love cheese and coffee. My debut novel THE LAST PLAGUE was published in 2014, and since then I’ve released two novellas, several short stories and two more novels. I currently live in Salisbury, Wiltshire, with my wife, daughter, and pet dog, although we’re moving back to Somerset very soon. I write horror, and I love it. 

 

DB: The conclusion to The Last Plague trilogy, 'The Last Soldier' is upon us, how do you feel now that it’s all drawn to a conclusion?

RH: It feels a bit weird, to be honest. Bittersweet. There’s some relief that the trilogy’s finished and I can work on other stuff, but I’ve still got a hankering to return to that fictional world and add more stories to it.  Maybe in the future, who knows?  

 

DB: Let’s say someone has lived under a rock these last two years, give them a quick rundown on The Last Plague trilogy.

RH: THE LAST PLAGUE begins with a mysterious virus that devastates Great Britain. Four old mates on a stag weekend (bachelor party, to our colonial friends) have to travel across the country to return to their families, all while trying to survive the outbreak and avoid the infected hordes roaming the land. THE LAST OUTPOST is set six months after the outbreak, and focuses on a few of the survivors trying to escape the mainland. THE LAST SOLDIER is set a year later, and involves a character from the first novel return to Britain in search of…something. I had great fun writing them.

 

DB: How is The Last Soldier different than the other two books in the trilogy, did you have any particular aims or themes in mind when you wrote it?

RH: It’s a little different because the main characters are returning to Britain instead of trying to escape it. I wanted to complete the overall arc of the story and reveal the true nature of the Plague and its endgame. I hope I’m successful in doing so!

DB: When you wrote The Last Plague, did you intend it to be a one and done, or did you always have some additional books in the world in mind?

RH: When I started writing The Last Plague, I wasn’t thinking that far ahead, to be honest. But once it was published I began to get more ideas for other stories set in the same world, and it just went on from there.

 

DB: To say your stuff is bleak, would be like saying that the sun is quite bright, was this a conscious decision to write this way?

RH: As the novels involve the possible extinction of humanity and the end of the world, it was definitely a conscious decision! I lean towards the bleak side of horror anyway, so it seemed like the correct tone for the books. I do worry that sometimes my writing’s a bit *too* bleak, and it’ll put readers off my stuff. Maybe one day I’ll write something with a happy ending (not that kind, you perv).

DB: The world and writings of H P Lovecraft are having a zombie-esque renaissance, you’re a keen fan of both sub-genres, what is it about them both that inspires you?

RH: I love the concept of ‘cosmic horror’ in Lovecraft’s stories – the insignificance of the human race compared to the vast cosmos, and the universe’s utter indifference to us all. Plus a lot of it involves cool monsters with tentacles. I’ve been a zombie nut since my youth, after watching Romero’s ‘Dawn of the Dead’, and I have a slightly unhealthy obsession with the end of the world, so anything apocalypse/zombie-related inspires me to create my own apocalyptic worlds.

DB: The Last Outpost was quite insular, with Royce’s journey being the main focus, whilst The Last Plague played off the camaraderie of the friends and was larger in scale, which did you prefer writing, and why?

RH: It’s very difficult to pick one. I enjoyed writing both, but if I was forced to give an answer it would probably be THE LAST PLAGUE, as it was my first novel and I had no idea where I was going with it. There was no pressure. I just had fun with it.

 

DB: What’s next for Mr Hawkins?

I have a few short stories due out in various anthologies this year. My vampire novella KING CARRION will be released in the next few months. After that, there’s another novella due for release in September. 

DB: Will we ever see any more books/stories based in your ‘The Last…’ world, aside from your novella, 'The Plague Winter', for the Infected Books Year Of The Zombie?

RH: If I do return to the Plague world, it won’t be for a while. I may give it a few years and see how it feels. If not, THE LAST SOLDIER is a good end for the trilogy.

So...Rich, if that is even your real name, you have answered the questions which people probably think they want answered. I thank you, not just for myself, but for the two other people that are likely to read this. However, the real test of your prowess is yet to begin, bring out...THE QUICKFIRE QUESTIONS OF DOOM. (Totally trademarked up the ying yang btw) I need the first thing you think of…

DB: Oreos or custard creams?

RH: Oreos

DB: Weirdo. Upon opening a cupboard door, instead of finding your favourite tin of soup, you discover a pot noodle. What flavour is it?

RH: Chicken and mushroom

DB: What weighs more, the futility of existence or a pillow case filled with spare change?

RH: Futility. Always futility…

DB: You’ve been infected, bummer, if you could choose, what new appendages would you hope for?

RH: A mouth-tentacle with a razor maw at its tip. That would be cool.

DB: Whilst flying to the Isle of Wight, you crash land on an island, there are two survivors, Piers Morgan and David Cameron, who do you eat first, and what method of cooking do you employ?

RH: Piers Morgan, purely because he supports Arsenal. In terms of cooking methods, whatever causes him the most discomfort, I think. I bet he tastes funny. I’d have to boil the awfulness out of him. Same goes for Cameron. Horrendous men, both of them.

DB: Giving up the writing game due to a nasty bout of whooping cough, you form a band, what style is it and who are the other members?

RH: Doom metal. I’d be on drums, with Cormac McCarthy, Russell Crowe, Gillian Anderson, and H from Steps on whatever instruments they’re happy to play. Plus the three lads from The Sinister Horror Company as backing singers…

 

DB: Awww...seventeen people line up for a midnight showing of the entire Twilight films, how many could you shishkebob before the police taser you?

RH: All of them. Anyone who wants to watch those films in quick succession obviously has a death wish anyway…

DB: What is your current number one smell?

RH: The smell of my old hardback copy of Stephen King’s IT. Smells like history and Oxfam shops.

DB: Underpants…do you wear your own or sneak Sara’s on, and prance around the house pretending you’re a laydee?

RH: I never prance. I saunter. I wear my own, and they’re frilly.

DB: Is Daniel Marc Chant real, or a figment of your overactive imagination?

RH: I’ll ask him. He’s outside my kitchen window. I think he’s been rifling through my rubbish, as he has bin-juice on his face.

DB: That's not bin juice...I’ve just smashed your Charles and Diana commemorative plate, how do you exact your just revenge?

RH: I send Daniel Marc Chant to your house, where he will sing Uptown Girl in falsetto while wearing the mankini Sean Connery wore in the film ‘Zardoz’. That’ll teach you, plate-smasher.

There, I'm spent, but I think you'll agree that I grilled him good. So before Rich and I towel ourselves off, and settle down for a nice cup of tea, and watch Zombie Fight Club, we wish you a good day, an update on my writing is next week.

Goodbye.

Dunk

If you like the cut of Rich Hawkins' jib, and you really should do, head over to his Amazon page to peruse his wares, hit his blog up, or like the shit out of him at Facebook.

 

Award Season

It's Saturday...I'm awake...it's time for an update on all things writing.

First off, it's the weekend ahead of the release of my third book, Celebrity Culture, and my first release which doesn't include the undead. Weird. It's also my first dip of the toe into the world of bizarro, and from the few people who have read it so far, it's gone done well, (cue double entendre). It is no coincedence that it is being released the day after the Oscars. One of my big bugbears is the world of celebrity, where every move is captured, every body function filmed and people who would struggle to do a proper job, are revered.

So this is my little poke at it, I hope that if you pick it up, you enjoy it, I had fun writing it, even if it was like pulling teeth at times.

If you want to snag a copy, here are the links, as a heads up, we use Lightning Source, which Amazon don't own, so physical copies are held back by a week usually. If you are keen to get it, best to get through my website:

Amazon UK: http://www.amazon.co.uk/dp/0993534600
Amazon US: http://amzn.com/0993534600
Direct: http://duncanpbradshaw.co.uk/celebrity-culture/

Work on Deadlock continues unabated, I'm up to 65k now, and had the option of taking a different path with it, which would've meant that the first draft would be finished this weekend. One of the joys of being a pantser. However...when I thought about it, I felt that it would then end up not being the book I set out to write. So have rewritten a chapter, and am now steering it back down the path originally intended. I do fear that it will be a bit of a beast...

The cover is being done by the amazing Stephen Cooney, who has done a number of exceptional covers over the years, most recently, Jim Goforth's Zombie Fleshcrave. Seriously, check it out HERE. He sent me through a sketch of the main character from the Deadlock cover, and it exceeded what I was after, and I'm a tricky person to please.

With the swerve on Deadlock, I'm taking a few days to re-centre myself, and then get back to it, may look to get a short story knocked up, but am undecided. I'm still umming and ahhing about what to do with Prime Directive, so have put it on the Kindle for the wife to read and let me know what she reckons. I'll then know whether it's a goer, or if I will hit up a mate to co-write it with.

So, exceptionally busy still, which is good, worked out that this year so far, I'm written 90k on two projects already, and with the plans for when Deadlock is finally done, it's going to be a mammoth writing year. I'll be taking a week and a bit off in June when we go on holiday, so hoping to get back from that and pick up on the second book in the Class Four trilogy, Class Four.

That's all for now, got a new interview with another author coming up in the next few weeks. Will give you a clue as to their identity...this could very well be 'The Last Interview'.

Take it easy y'all

Dunk

An Interview With...Kayleigh Marie Edwards

Hello!

In addition to my ramblings on what the hell I'm writing and doing, I'll also be posting up the odd (zombie) movie review, and interviews with other writers. The questions will be twofold, one set will be cutting and insightful, the other set...not so much, but will hopefully shine a light on their brain workings.

My first ever victim is the rather wonderful Kayleigh Marie Edwards. She came to my attention with her Ginger Nuts of Horror articles. At the time we were looking for contributors to Volume One of The Black Room Manuscripts, I approached her and was delighted when she said yes. Her story, 'Skin', was one of my personal favourites from TBRM1.

"If this doesn't raise a smile and have you double-checking your zombie apocalypse plan, you're probably already dead."

Her short story, Bitey Bachman, has just been released, and is a digital exclusive over on Kindle. I thought it prudent to try out my interviewing technique, and have stumbled upon someone as wonderfully weird as me, enjoy...

DPB - Hello! Who the hell are you and how did you get in here? 


KME - Oh heyyy. I’m Kayleigh, I’ve come for the mini pizzas. You shouldn’t have left that window open, I’m a keen climber.

DPB - So, your short story, Bitey Bachman, is out on Monday, how did it come about?


KME - I write every day, if only for practice. One fateful night, I had infuriating writer’s block. I had nothing! I took a bunch of green post-it notes and wrote a location on each one. Then I took a load of pink post-it notes and wrote a crime on each one. Finally, I had a load of orange post-it notes and I wrote a ‘situation’ on each one, you know, ‘huge fire’, ‘meteor crash’, etc. I chucked them all in a bag and drew out one of each colour and what I got was ‘asylum’, ‘zombie apocalypse’, and ‘indecent exposure’. And thus, Bitey was formed.


DPB - It pays homage (of sorts) to a particular musical…what was the reason behind it?


KME - Well…. I like to be silly. The story is silly, the references are silly, and that particular musical is silly but in the best possible way. I didn’t mean to put so many references in there, it was only when I read it back I realised I’d punctuated sections of the plot with it! I drew a bit of inspiration from it (the absurdity of secret labs and whatnot), but mostly I just wanted to capture the camp feel of the whole thing.


DPB - It is clear from this, your Ginger Nuts of Horror articles and other stories, that you’re ‘quite keen’ on the undead. Is your writing process between zombies and ‘other stuff’ different?


KME - There’s a huge difference and I think it’s because I’m a bit weird.I can’t stand to read about or watch horror that’s all about human suffering. Monster stories? Yay! Stories of people turning mad and doing harm to themselves and those they love? Errrrggggghhhh that stuff makes me feel all dead and cold and unpleasant inside. And yet, that’s the stuff I write when I’m writing straight horror. It always goes that way, maybe because a full nervous, emotional breakdown and a descent into the most unpleasant mental states imaginable is what I consider the scariest thing that can happen to a person. When I’m writing like that, I genuinely feel depressed and I go through all these weird motions in my mind. And it takes me ages to finish that stuff.


But when I’m writing about zombies…. Yaaaaaay fun! Even if you care about the characters (I swear, if anything happens to The Walking Dead’s Carol….), you can only suffer so much if something happens to them, because the backdrop is pure fiction. It’s just straight, great fun.
When I’m writing, I feel like I’m in the zombie apocalypse, I go into zombie apocalypse mode. But the fun kind. And most of all, I get to write these totally ridiculous non-hero type characters that are inappropriate for other types of stories.

I wrote a play called Kill ‘em in the Brain about four completely different, but equally idiotic and silly people, and it was the most fun I’ve ever had creating something. It got staged twice by a very talented cast who added lines and gestures – it was like watching my kids grow up!


DPB - What are you working on now?


KME - Finding a house that isn’t full of damp. Do you have any idea how hard it is to find a house in the valleys that doesn’t have damp in the walls?


Work-wise, I’m currently on a review tour of haunted places around Britain. I’m visiting all these super cool, apparently haunted locations and writing up my experience, along with interviews with staff and a history of each place. It will be a series of video-uploads, blogs, reviews, and at the end of the year I plan to compile it all into a book. It’s also the basis of my PhD thesis – I’m interested in how the stories told about these places affect the experience for those who visit them.


DPB - If you were only allowed to watch one zombie film until the end of time, which one would you choose, and why…


KME - I’d love to say George A. Romero’s Night of the Living Dead because it’s an academically acclaimed beast of thematically challenging and poignant filmmaking, and the first undead zombie movie of its kind. But I’m gonna go ahead and say Rec., which was directed by Jaume Balaguero and Paco Plaza. It was the first zombie movie I saw that actually scared me, and I think the premise and set-up is cool. Edgar Wright’s Shaun of the Dead is a close second, and the one I’ve viewed the most times though – that film is a scriptwriting masterpiece!


DPB - Do you have any particular aspirations with your writing?


KME - All the aspirations. I’m not embarrassed to admit that I want to write a novel that deserves to be on the best-seller list, and/or a TV show that loads of people want to watch. At a minimum, I just want to make a living as a full-time writer. I’ve spent my life having people (even fellow writers) rolling their eyes at me for that, and I’ve spent years enduring jobs that make me not want to get up in the morning, but why should I? Why should anyone? Life is too short to have your soul crushed by the thing that takes up most of your week.


DPB - Excellent, you have proved yourself worthy of...THE QUICKFIRE QUESTIONS OF DOOM. You need nerves of steel and a sphincter capable of clenching in a quark from a Black Hole. I need the first thing you think of… 

KME - Cheese.


DPB - Ohhh, you're good, though the real questions start...now...favourite biscuit? 


KME - Cow biscuits (or Malted Milks, for the less childish).


DPB - You decide to farm animals to manufacture your own brand of cheese, which animal do you milk and what novelty food do you serve?


KME - Bats. I’d serve bat cheese on little fang-shaped crackers, with Bloody Marys.


DPB - Christmas or Halloween?


KME - Oh gooooddddddddd. I’d love to say Halloween, as a horror fanatic, but it has to be Christmas!


DPB - It’s the end of the world, HOORAY! Who do you trip up first to help you escape from the ravenous zombie horde?


KME - The careers advisor from school who made fun of me for wanting to be a writer, and then kicked me out of her office when I asked her if ‘careers advisor’ is what she wanted to be when she grew up.


DPB - You are shopping in a supermarket, and discover a portal to another dimension. What do you throw through to test that you won’t be reduced to atoms?


KME - David Cameron.


DPB - You can make one band live forever, who do you choose?


KME - Your Protected. They’re the best band you haven’t heard of, but that you definitely should have. If you get the chance to see these guys live, they will melt your face off with sheer talent. If they were the last people alive while the world was ending, they’d probably produce a beast of an apocalypse track for the planet to die with.


DPB - There are only two pairs of shoes in the entire world, one stinks like a rotting animal resting in an open sewer, the other cuts off circulation to your toes, causing festering sores, which do you wear?


KME - I’ve recently worn a new pair that cut off the circulation to my toes, causing festering sores, and I ended up limping around in the rain with bleeding feet. I looked like something from Carrie. So, I guess it’s the rotting animal smelling ones.


DPB - Odd numbers or even numbers?


KME - It depends on if they can be divided equally by the number 3.

So there you have it, equal parts Michael Parkinson and Avid Merrion, thanks to Kayleigh for stopping by and eating me out of mini pizza. If you haven't already, pick up Bitey Bachman today, it's a rather cool take on the zombie apocalypse. Check out Kayleigh on her blog over at

https://kayofthedead.wordpress.com

Take it easy y'all

Dunk

Get your ass to Mars

Greetings!

Hoping you are well and enjoying your weekend? Two weeks huh? What the Dickens have I been up to, well...

The novel, Deadlock was put on the naughty step, as I hit a brick wall on it. Think I was trying to write it too straight, if you've read my stuff, you know there is an element of humour in it, and looking back through it, it's missing, and my initial get up and go, well, went.

However...it hasn't been dead time. Whilst I reprimanded it, I started (and finished) an (as yet) unnamed novella. (More brackets? No) It's a sci-fi/horror story centred around the first manned mission to Mars. It's coming to the end of the trip, and the resident geologist, miffed that all she has discovered is egg smelling rock, sets off to the Galle crater. Whilst there, she makes a few revelatory discoveries.

Needless to say, things go a little awry, and the crew are forced to fight for their survival. The true history of not just Mars, but also our own planet is revealed, can the survivors stop the destruction of everything they know? If the Galle crater rings a bell, here's a little picture of it:

It's also referred to as the 'smiley face' crater, and fans of Watchmen will recognise it. Hey, if you want to set something on Mars, may as well reference one of the best comics/graphic novels of all time huh?

That needs to be edited, but I'm going to let it settle for a few weeks before I go back to it. There are so many potential little holes I could've missed, that I need some time away from it, before heading back.

I'll be getting back on Deadlock in the meantime, and already have the cover image formed in my head, and the dude in mind who will hopefully be able to bring it to life. More info on that when it has been formalised.

Elsewhere, I am over the moon to be part of Matt Shaw's Easter anthology 'Easter Eggs and Bunny Boilers'. The list of authors involved is a who's who of modern indie horror authors, to be in their company is pretty awe-inspiring, but also a little shit your pants scary. I've written the story for it, called 'Hey-Zeus', and that is currently off with Mr J.R. Park, to see what he makes of it. I don't want to give much away on it, but it's a retelling (of sorts) of the Easter story, just done my way.

You can pre-order it right now, it's Kindle only, but an absolute steal at 99p/cents;

http://www.amazon.co.uk/dp/B01AMSYLUO

Finally, the physical proof for Celebrity Culture is winging its way to me, and is now available on Amazon for pre-order. It's £4.99 in the UK: http://www.amazon.co.uk/dp/0993534600 and $6.99 over in the US: http://amzn.com/0993534600 I'm really looking forward to this being released, though will be a lot more low-key than my other books, not for any other reason than Bizarro is a niche market, and this will definitely not be to everyone's tastes. Not because of the content, but just because it is pretty out-there. Still, if you fancy seeing what my brain is capable of coming up with, please do.

I'm gonna get back to reading through Deadlock again, and try to get back into it. Really cannot wait for the books that should be winging their way out to people this year. Have a BONZER weekend, catch ya on the flipside.

Dunk

Living in Deadlock

Hello!

Decided to blog more regularly, so that all three people who have a slight interest, can have a butchers as to what I'm up to. It'll be a mix of stuff, and will undoubtedly veer wildly depending on mental state.

First up, my first foray into the world of Bizarro, Celebrity Culture, is confirmed to be released on 29 February 2016. The cover was done by the excellent April Guadiana. I loved the cover she did for Adam Millard's superb Vinyl Destination, and along with the Doof Warrior image, (which adorns a t-shirt I frequently wear), have been looking to find a project to use her talents on, if you missed it, here it is:

The synopsis is: It's the thirteenth annual Lou Gehrig awards. Four B-list celebrity virologists vie to claim the Locked In Syndrome cup and get mulched down to form their disease for mass distribution.

A disease hipster takes centre stage on a night when a blast from the past threatens to turn his ordered, pus filled life upside down. In order to blow open a deep rooted conspiracy, he must team up with a disgraced one time child star who wants another shot at the big time, and clear his sullied name.

Together, they’re going to show people the real meaning of a meltdown.

The kindle version is ready for pre-order already, right here:

UK: http://www.amazon.co.uk/dp/B01A2FKU9S
US: http://amzn.com/B01A2FKU9S

The digital version is at the princely price of 99p/$1.49, purely because my principle is that any novel I release will be £1.99/$2.99 and novellas will be cheaper, because quite simply, you get less words. The physical copies will be ready for preorder soon too.

I'm also 20k into the new book, now called 'Deadlock', it's about a chap who joins a crew on a jewellery heist, but ends up having to fight through hell. Early days yet, so still evolving, (I'm not much of a planner) but there are some pretty nasty bits in it already, might be my most gruesome writing to date. Provisionally, am aiming for a July release, so it ties in with our run of convention appearances.

Typically, I've also had another idea running around, it's gonna be a novella I reckon, and a touch of sci-fi in it. This is provisionally called 'The Entity', and will write it after the first draft of Deadlock is done.

Nothing quite like being busy huh? That's it for this week, I've just gotten off a Skype chat with the other Sinister Horror Company chaps, and this year is going to be MENTAL. Cannot wait for you to all see what we have in store for you.

Take it easy, and have a good one.

Dunk

Zombie Move Review - The Battery

Through the many zombie films I watch, once in a while, I come across something which genuinely grabs my interest. The Battery is one such film. It's very much a film of two halves, first off you get to explore the dynamic of the two leads.

You quickly pick up the dislike between the two, Ben seemingly deals with the zombies, he's the batter, Mickey spends most of his time with his headphones on. It's easily a relationship of circumstance not choice.

One scene with a frustrated Mickey in the back of the car is just bizarre, something Mr Justin Park would appreciate.

To me, the film comes alive in the second half, ironically when they are are taken out of their jaunt and put into a static location. The two men bond, and manage to find some common ground.

I really would not want to offer too much more as it was genuinely fantastic. I picked it up really cheap, if you want a zombie film that's a bit different from the usual dirge, get it.